Alternatively, you can deselect Auto-tone and colour correct from scratch. For a more dramatic effect, it's usually just a matter of turning up the Clarity and Vibrance controls. HDR merging often veers towards surreal overblown contrast, but the automatic results look surprisingly natural. ^ HDR merging blends photos taken at different exposure settingsĬolour processing merged HDR images is initially an automatic process, but it's delivered non-destructively through Lightroom's filters, so it's easy to alter or undo any changes. Enabling the latter for JPEGs resulted in some peculiar colour shifts and heavily accentuated noise, but it worked fine for RAW files. There's minimal control over the process, with options to auto-align, auto-tone and to de-ghost to remove repetitions of moving subjects. An HDR mode aligns and merges exposure-bracketed photos to produce an image with expanded dynamic range. Lightroom has previously only worked on individual photos, but this update opens up the possibility to merge them. Previously, I've created a graduated filter and then added a separate Adjustment Brush to reverse the effect for certain areas of the frame, but the new approach is much neater. It's now possible to modify the shape of a linear or radial graduated filter using brush strokes, which is ideal for darkening skies without inadvertently also darkening the tallest trees or building in a scene. Version 6 brings relatively modest changes to the image editing tools.

Adobe already had RAW processing in the bag with its Adobe Camera RAW (ACR) engine for Photoshop, and Lightroom packaged it with elegant library management, printing and sharing facilities. Adobe Lightroom has been our favourite photo editor ever since we first clapped eyes on version 1.

Adobe photoshop lightroom 6 review